In June 2022, Sharon Bridgforth and Daniel Alexander Jones held an intimate and searching conversation about the pragmatics of making art and engaging the communities--living and ancestral--from which their work emerges. The two longtime friends reflect on Bridgforth’s bull-jean & dem/dey back, a collection of two performance/novels written twenty-two years apart about the eponymous bull-jean (published in Sept 2022 by 53rd State Press). Bridgforth reveals how motherhood spurred her towards understanding her genders and sexuality, and how the desire to love, heal, and live in truth has compelled her writing and her life choices. Bridgforth details the weave between her early work in social justice (based in Austin, TX, where she and Jones met), her artmaking, and her remarkable commitment to community. Bridgforth's writing starts in the marrow of her own healing. As they discuss Bridgforth's work--as well as the work of such luminaries as Laurie Carlos, Robbie McCauley, Ntozake Shange, Urban Bush Women, raúlrsalinas, and Beverly Glenn-Copeland--Jones and Bridgforth offer tested strategies for living a grounded artistic life.

Collecting Daniel Alexander Jones's plays and performance texts Bel Canto, Black Light, Blood:Shock:Boogie, clayangels, Duat, Phoenix Fabrik, and The Book of Daniel, this volume offers a panoramic view of Jones's shifting, glimmering, transformational body of work. Each play a provocation to the possibility of a more just world with love as civic practice at its center, Jones's writing moves with lithe and associative grace through histories personal, political, cosmological, and sublime. A reunion not only of Jones's revolutionary work in the course of twenty-five years in the avant-gardes of New York, Austin, and Minneapolis, among others, Love Like Light is also a reunion of collaborators and friends, featuring essays by Vicky Boone, Jacques Colimon, Eisa Davis, Omi Osun Joni L. Jones, korde arrington tuttle, Aaron Landsman, Deborah Paredez, and Shay Youngblood and an interview with Faye Price. Awarded the 2021 PEN/Laura Pels Theater Award for his expansive, multidisciplinary, radical body of work, Jones has, in the words of judges Jeremy O. Harris, Ruben Santiago-Hudson, and Leigh Silverman, "continued perfecting a dramaturgy all his own based in the traditions of Africana studies, performance studies, queer theory, and mysticism, challenging established traditions while creating space for audiences to ponder what theater is and who it is for." A companion volume, Particle and Wave, features a book-length conversation between Daniel Alexander Jones and poet, scholar, and activist Alexis Pauline Gumbs about Love Like Light and the way that love, like light, suffuses everything and is the condition and power of change in the world.

In a roving, shimmering conversation that took place in May 2021, scholar, poet, and activist Alexis Pauline Gumbs and playwright, songwriter, performance artist, and educator Daniel Alexander Jones discuss love as a foundational principle of artistic practice and societal change. Reflecting on Love Like Light, Daniel Alexander Jones's collection of seven plays and performance texts (published by 53rd State in July 2021), DAJ and APG illuminate the ways in which an attention to care, community, nuance, invitation, perceptual particularities, and embodied conditions can resist the profoundly extractive context in which life is lived and art is made. As they discuss the work of Audre Lorde, Billie Holiday, Beah Richards, Bayard Rustin, and Malcolm X, as well as that of DAJ's grandma Daisy Mae and APG's grandmother, aunt, and niece, DAJ and APG propose that love, like light, suffuses everything, and that love, like light, creates a field in which transformation, justice, healing, and radical beauty are not just possible-they are already, now.